Often, the dialogue makes the rape scene more alive, but sometimes I feel a completely silent rape with only non-verbal elements and the most basic bodily sounds can be extremely powerful. Once again, I have to use the overused line and say “It depends!”
A good example of when I’d write an all-silent rape scene would be a farm getting overrun by Zulus and the women getting gang-raped by those warriors. Everything, all the tension would lie in the way they act, the way they look at those white women, etc. The Zulus are so fascineted by so many things they find odd about these women that they would all remain silent to fully enjoy this very strange experience that their post-battle lust drives them into.
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This is an example of a dialogue I recently wrote, from an Indian soldier to a French tourist (who looks Turkish) during a forced bukkake…. I felt it brought great cultural context along with the action. The action and the dialogue complement and strengthen one another. It was a fun exercise to do!
He exits her mouth and wipes his cock using her hair.
“Say you love Indian cocks, Turkish girl! Come on! Say it, Turkish slut!”
Cocks are gang-poking her face and she keeps her eyes shut, her face just as bitter-distorted as if she was eating three full lemons in one big swallow. The lesbian doesn’t get to say much. She only has time to spit out some goo before another Brahmanic lover takes her mouth too and gives her another face rape! And it’s a rough one.
“It’s all your fault!”
“You had it coming!”
“This is what happens to tourists who flaunt their legs in public!”
